Epic gothic musical number in D mino hans zimmer duet, quartet then choir cellos, distant church bell, and whispering wind textures, then exploding into massive trailer drum hits (Taiko-style impacts layered with sub-booms and metallic braams). Begin with a fragile female soprano (Helen) over sparse piano and strings, intimate and haunted, then introduce a deep velvet baritone (Candyman) with dark orchestral swells and rising low brass. Transition into a full gospel choir with cathedral reverb, dramatic minor-key harmonies, and swelling pipe organ. Build into a thunderous cinematic chorus with stacked vocals, distorted bass drones, and pounding hybrid percussion. Add a layered overlapping quartet section (soprano, tenor, boy soprano, contralto) in contrapuntal lines over escalating drums and choir chants. Include sharp orchestral stabs, reversed cymbal swells, and rhythmic heartbeat pulses. Final chorus should be enormous and apocalyptic: full orchestra, choir fortissimo, brass blast