Indie-Pop, Pop, Concrete Blond,Alternative Rock, Indie Rock, Rock, Pop-Rock,,Pop,Filmmusik,Indie-Pop,Nostalgie,Melancholisch,Intensiv,Aufschlüsselung,Einprägsam,Dunkel,Männerstimme,Männliche und weibliche Duett-Pop-Stile,Hintergrundgesang,Emotionale Tiefstimme,Ambient-Gesang,Wechselndes Tempo,Synkopiert

RAP EDM

RAP EDM

Dark,Male singer

Dark,Male singer

Instrumental estilo funk brasilero, BPM 140, en Mi menor, vibe enérgico y bailable

Instrumental estilo funk brasilero, BPM 140, en Mi menor, vibe enérgico y bailable

Female Voice, Alto, Heavy Bass, Emotional Pop, Alt-Pop, Warm Intimate, Late-Night, 92 BPM, Half-time feel, Punchy sub bass, Soft kick, Tight snare, Finger snaps, Airy pads, Electric piano, Clean electric guitar swells, Subtle arpeggiator, Minimal strings, Breath textures, Close-mic vocals, Light vocal doubles, Whisper harmonies, Spacious reverb, Gentle sidechain, Cozy room tone, Midnight atmosphere

Country-rap Ballad. Modern beat. Upbeat but also ominous. male lead vocal with heavy vocal range. Features a powerful Gospel-style female backing choir on the chorus for a massive 'Wall of Sound.' Instrumentation: rock harmonica, smooth rock violin melody, and long note psychedelic guitar jams with jam band vibes.

Trap mélodieuse, Pierre Bourne Type Beat, Autotune, voix grave

Trap mélodieuse, Pierre Bourne Type Beat, Autotune, voix grave

Key: A minor — chest-led authority with warmth; avoids F/D-minor heaviness so humor lands clean and confident. Tempo: 104 BPM — sway-forward, danceable, relaxed but kinetic; enough pocket for smirked delivery without dragging. Time Signature: 4/4 — straight feel with room for playful behind-the-beat phrasing. Vocal Range: G3–D5 • Verses: G3–B4 (talk-sing, intimate, amused) • Pre-Chorus: A3–C5 (gentle lift, observational) • Chorus: B4–D5 (open, warm, confident—not belted) • Bridges: low → mid register (authority with a wink) Genre: Alt-Pop / Soul-Pop (club-leaning, tongue-in-cheek, dance-forward groove) Alt-pop with a club-leaning pulse—sleek, playful, and body-forward. Five Minutes Past Myself rides elastic bass, crisp four-on-the-floor energy, and subtle syncopation that invites movement without urgency. Lyrics are self-aware and apologetically unapologetic, turning “running late” into a flirtatious flex rather than an apology (“my spirit’s a panda”). Designed for late club nights.

Key: A minor — chest-led authority with warmth; avoids F/D-minor heaviness so humor lands clean and confident. Tempo: 104 BPM — sway-forward, danceable, relaxed but kinetic; enough pocket for smirked delivery without dragging. Time Signature: 4/4 — straight feel with room for playful behind-the-beat phrasing. Vocal Range: G3–D5 • Verses: G3–B4 (talk-sing, intimate, amused) • Pre-Chorus: A3–C5 (gentle lift, observational) • Chorus: B4–D5 (open, warm, confident—not belted) • Bridges: low → mid register (authority with a wink) Genre: Alt-Pop / Soul-Pop (club-leaning, tongue-in-cheek, dance-forward groove) Alt-pop with a club-leaning pulse—sleek, playful, and body-forward. Five Minutes Past Myself rides elastic bass, crisp four-on-the-floor energy, and subtle syncopation that invites movement without urgency. Lyrics are self-aware and apologetically unapologetic, turning “running late” into a flirtatious flex rather than an apology (“my spirit’s a panda”). Designed for late club nights.

Banjo, nusach,romantic, gospel, flute, shofar , cimbal,,,Male Voice,Calmness,Slow

Pagode

Pagode