1:48
Indie-Pop, Pop, Concrete Blond,Alternative Rock, Indie Rock, Rock, Pop-Rock,,Pop,Filmmusik,Indie-Pop,Nostalgie,Melancholisch,Intensiv,Aufschlüsselung,Einprägsam,Dunkel,Männerstimme,Männliche und weibliche Duett-Pop-Stile,Hintergrundgesang,Emotionale Tiefstimme,Ambient-Gesang,Wechselndes Tempo,Synkopiert
3:18
RAP EDM
2:36
RAP EDM
3:39
Dark,Male singer
3:37
Dark,Male singer
2:34
Instrumental estilo funk brasilero, BPM 140, en Mi menor, vibe enérgico y bailable
2:16
Instrumental estilo funk brasilero, BPM 140, en Mi menor, vibe enérgico y bailable
5:03
Female Voice, Alto, Heavy Bass, Emotional Pop, Alt-Pop, Warm Intimate, Late-Night, 92 BPM, Half-time feel, Punchy sub bass, Soft kick, Tight snare, Finger snaps, Airy pads, Electric piano, Clean electric guitar swells, Subtle arpeggiator, Minimal strings, Breath textures, Close-mic vocals, Light vocal doubles, Whisper harmonies, Spacious reverb, Gentle sidechain, Cozy room tone, Midnight atmosphere
4:56
Country-rap Ballad. Modern beat. Upbeat but also ominous. male lead vocal with heavy vocal range. Features a powerful Gospel-style female backing choir on the chorus for a massive 'Wall of Sound.' Instrumentation: rock harmonica, smooth rock violin melody, and long note psychedelic guitar jams with jam band vibes.
3:43
Trap mélodieuse, Pierre Bourne Type Beat, Autotune, voix grave
3:19
Trap mélodieuse, Pierre Bourne Type Beat, Autotune, voix grave
3:29
Key: A minor — chest-led authority with warmth; avoids F/D-minor heaviness so humor lands clean and confident. Tempo: 104 BPM — sway-forward, danceable, relaxed but kinetic; enough pocket for smirked delivery without dragging. Time Signature: 4/4 — straight feel with room for playful behind-the-beat phrasing. Vocal Range: G3–D5 • Verses: G3–B4 (talk-sing, intimate, amused) • Pre-Chorus: A3–C5 (gentle lift, observational) • Chorus: B4–D5 (open, warm, confident—not belted) • Bridges: low → mid register (authority with a wink) Genre: Alt-Pop / Soul-Pop (club-leaning, tongue-in-cheek, dance-forward groove) Alt-pop with a club-leaning pulse—sleek, playful, and body-forward. Five Minutes Past Myself rides elastic bass, crisp four-on-the-floor energy, and subtle syncopation that invites movement without urgency. Lyrics are self-aware and apologetically unapologetic, turning “running late” into a flirtatious flex rather than an apology (“my spirit’s a panda”). Designed for late club nights.
3:34
Key: A minor — chest-led authority with warmth; avoids F/D-minor heaviness so humor lands clean and confident. Tempo: 104 BPM — sway-forward, danceable, relaxed but kinetic; enough pocket for smirked delivery without dragging. Time Signature: 4/4 — straight feel with room for playful behind-the-beat phrasing. Vocal Range: G3–D5 • Verses: G3–B4 (talk-sing, intimate, amused) • Pre-Chorus: A3–C5 (gentle lift, observational) • Chorus: B4–D5 (open, warm, confident—not belted) • Bridges: low → mid register (authority with a wink) Genre: Alt-Pop / Soul-Pop (club-leaning, tongue-in-cheek, dance-forward groove) Alt-pop with a club-leaning pulse—sleek, playful, and body-forward. Five Minutes Past Myself rides elastic bass, crisp four-on-the-floor energy, and subtle syncopation that invites movement without urgency. Lyrics are self-aware and apologetically unapologetic, turning “running late” into a flirtatious flex rather than an apology (“my spirit’s a panda”). Designed for late club nights.
4:59
Banjo, nusach,romantic, gospel, flute, shofar , cimbal,,,Male Voice,Calmness,Slow
1:55
1:58