Driving, rhythm-heavy ensemble number built on stomps, claps, and sharp percussive accents, starting almost playful and ironic before darkening into something biting and accusatory; tempo mid-to-fast with tight, syncopated vocal phrasing and layered call-and-response sections between a lead witch and the full ensemble; instrumentation should feel raw and physical — floor percussion, low drums, minimal bass, and angular string stabs — creating a courtroom-meets-ritual energy; harmonies grow increasingly bold and unified as the witches expose fear, hypocrisy, and scapegoating, culminating in a powerful, percussive final unison line delivered with cold clarity; overall tone is theatrical, clever, and sharply satirical — turning history into indictment with wit and fire.