Sub-Zero Cool Jazz

C major / Lydian, 65 BPM, 4/4 but phrased in 5-bar cycles, drums brushes swept clockwise on snare for whisper texture, vibraphone (motor off) single-line melody with soft mallet rolls, bass playing whole-notes with subtle gliss up to the 9th, guitar (thin-line Tele) volume-pedal swells on #11 extensions, muted trumpet drops guide-tone only on bar 3 of each cycle, plate reverb high-passed at 400 Hz to avoid muddiness, tape-wow set to 0.3 % for gentle drift, finish by letting vibes sustain into self-oscillation while bassist plays natural-harmonic false ending—snow falling on a silent street.