On My Count (Up)
Fast, feel-good Motown at ~124 BPM. Tight kit with tambourine on 2/4, walking P-bass, Wurly comp, punchy bari/tenor sax, and silky string pads. All-female vocals only: a confident lead with velvet grit, Supremes-style trio echoes, and a stacked ensemble for choruses. Crisp handclap “clap cannon” accents mirror her sonic snaps. Vintage plate reverb on vocals, horns forward, modern low-end. Brief key lift on last choruses; call-and-response keeps the conductor vibe lively and dance-floor ready.
00:00 / 00:00
Lyrics
[Intro – Upbeat Motown stomp; handclaps & tambourine; All-Female Ensemble “Hey!” shouts]
[Female Lead]
Two and four, baby—Detroit, keep time!
[Verse 1 – Female Lead; bright horns, walking bass]
East side buses, courthouse lines,
Tap the rail—watch bodies realign.
Clip that mic, hush that roar,
I open lanes like revolving doors.
You want the street? Hit the beat I ride—
Count it in, sugar—dance or step aside.
[Pre-Chorus – Female Lead + Female Trio (echo)]
[Female Lead] One clap—doors glide wide,
[Female Trio] Glide wide!
[Female Lead] Two taps—hot heads slide,
[Female Trio] Slide, slide!
[Chorus – All-Female Ensemble; soaring strings, sax stabs]
On my count, on my count—
Step in time or clear the way.
On my count, on my count—
Feel that push on two and four all day.
[Female Lead] I’m Miss Rhythm, tight and clean,
Make a city’s heartbeat hit between—
On my count… march or move aside!
[Verse 2 – Female Lead; tambourine sparkle]
Snap of fingers—latches slack,
Backbeat buckle sends the rushers back.
Thumper pucks make orders fade,
Choir-rail blooms through the barricade.
No crush, no kids, keep pride intact—
But I’ll break your stride if you break the pact.
[Pre-Chorus – Female Lead + Female Trio (call/response)]
[Female Lead] Three hits—wedge goes weak,
[Female Trio] Fall back! Don’t speak!
[Female Lead] Low hum—bad plans leak,
[Female Trio] Drip-drop, off-beat!
[Chorus – All-Female Ensemble; bigger harmonies]
On my count, on my count—
Step in time or clear the way.
On my count, on my count—
Two and four make feet obey.
[Female Lead] I’m the metronome queen of this Motor night,
Put your little thunder back in time.
[Bridge – All-Female Gospel Lift; organ swell, handclap break]
[Female Trio] Move with the pulse when the hand says go,
[Female Trio] Bend those knees, keep it low.
[Female Trio] Open the lane with a hush in the air,
[Female Trio] Count to four—walk clean through there.
[All-Female Ensemble] Two—four—city in a line,
Order’s got a backbeat—fall in time!
[Break – Percussive “clap cannon” hits; girl-group ad-libs]
[Female Lead – half-spoken]
Tap once—buzz that visor; tap twice—kill that feed.
I don’t swing harder—I just make you heed.
[Chorus – All-Female Ensemble; key lift, horn punches]
On my count, on my count—
Step in time or clear the way.
On my count, on my count—
Feel that Motor rhythm sway.
[Female Lead] Love it, hate it, talk big outside—
But when the beat drops—move aside!
[Final Chorus – All-Female Ensemble; double-clap tag, stacked vocals]
On my count, on my count—
Two and four, we rule the ride.
On my count, on my count—
March in step or step aside.
[Female Lead] I call the tempo, you choose your pride…
[All-Female Ensemble] On—my—count—move aside!
[Outro – Ritardando; tambourine & claps fade like a passing train]
[Female Lead – soft grin]
City’s a band; I just choose the guide—
Count it in, darling… march or move aside.