#Genre principal : Folk-punk celtique
Influences : Dans le style de la chanson Sally MacLennane du groupe The Pogues
#Instruments : Guitare acoustique, Bouzouki irlandais, Accordéon piano, violon,
#Tempo : 160-180 BPM
#Temporalité : 4/4
Tonalité : D
#Structure : Couplet, Prérefrain, Refrain, couplet, Prerefrain, Refrain, couplet, Refrain, Refrain final. Chanson avec un rythme animé, on recherche une ambiance d’un groupe punk acoustique qui joue live
#Genre principal : Folk-punk celtique
Influences : Dans le style de la chanson Sally MacLennane du groupe The Pogues
#Instruments : Guitare acoustique, Bouzouki irlandais, Accordéon piano, violon,
#Tempo : 160-180 BPM
#Temporalité : 4/4
Tonalité : D
#Structure : Couplet, Prérefrain, Refrain, couplet, Prerefrain, Refrain, couplet, Refrain, Refrain final. Chanson avec un rythme animé, on recherche une ambiance d’un groupe punk acoustique qui joue live
alien speak vocoder tons of reverb and vibrato robot sounding voice, Tempo: ~266 BPM, meme techno / Eurodance parody Drum pattern: four-on-the-floor kick, bright clap/snare on 2 & 4, open hi-hat offbeats Bass: simple, looping dark synth bassline, often saw or square wave Leads: buzzy, thin digital 8-bit synth stabs; repetitive melodic hook FX: bit-crushed game samples, laser zaps, risers Vocals Main hook: robotic, heavily compressed, low-fidelity male voice sample with broken English phrasing Delivery: stiff, monotone, almost text-to-speech cadence Repetition: hook loops relentlessly, becoming hypnotic and comedic Occasional shouted hype lines layered with echo/reverb Structure Intro with filtered drums, power ballad female opera chorus, Brief instrumental break with filtered bass Final full-energy loop and abrupt or meme-style ending Overall vibe: ironic, chaotic, heavy synth and swelling disco tons of reverb, dark electrowave,retro daft-punk-_inspired
rap 96 BPM mid-tempo West Coast bounce foundation blended with modern Atlanta low-end. Funk-driven bassline that grooves and swings, not aggressive. Clean punchy snare with layered clap. Warm synth chords with subtle G-funk glide texture. Minimal trap hi-hats. Focus on groove and body movement.
Hook should be melodic, repetitive, chant-friendly, and layered with background vocals for crowd participation. Verses delivered with confident, conversational swagger. Smooth dominant tone, controlled energy, not yelling. Slight melodic bounce in cadence.
Bad-boy charisma but peaceful. Summer night party anthem. Dance-floor glide. Head-nod groove. Radio-friendly polish. Wide stereo hook, warm bass, forward vocal mix. Replay value hook.
rap 96 BPM mid-tempo West Coast bounce foundation blended with modern Atlanta low-end. Funk-driven bassline that grooves and swings, not aggressive. Clean punchy snare with layered clap. Warm synth chords with subtle G-funk glide texture. Minimal trap hi-hats. Focus on groove and body movement.
Hook should be melodic, repetitive, chant-friendly, and layered with background vocals for crowd participation. Verses delivered with confident, conversational swagger. Smooth dominant tone, controlled energy, not yelling. Slight melodic bounce in cadence.
Bad-boy charisma but peaceful. Summer night party anthem. Dance-floor glide. Head-nod groove. Radio-friendly polish. Wide stereo hook, warm bass, forward vocal mix. Replay value hook.
Epic Symphonic Rock with acoustic guitar and e guitar, heavy stamping with chains, demonstration march, poignant, sentimental, Peace song for the world, melodic, new gospel choir, clear Tenor-baritone male voice,
Tinariwen-inspired desert blues country, electric guitar, warm storytelling vocals, mid-tempo, atmospheric desert vibe, echoing melodies, rhythmic drumming, Drums must be traditional hand-played desert drums only (tende / calabash/frame drum feel), NO stick drums, NO rock or drum-kit style soulful and reflective, Sahara desert feel, open-space ambience, subtle percussion, nostalgic and melodic, Electric guitar plays continuously with looping Tinariwen-style
Tinariwen-inspired desert blues country, electric guitar, warm storytelling vocals, mid-tempo, atmospheric desert vibe, echoing melodies, rhythmic drumming, Drums must be traditional hand-played desert drums only (tende / calabash/frame drum feel), NO stick drums, NO rock or drum-kit style soulful and reflective, Sahara desert feel, open-space ambience, subtle percussion, nostalgic and melodic, Electric guitar plays continuously with looping Tinariwen-style